The 24-page, full-colour booklet also includes rare, unpublished photos and extensive track-by-track
liner notes that feature the participation of many original band members, arrangers,
and producers. 

Mastered by Alan Brownstein FROM THE ORIGINAL MASTER TAPES! Produced and compiled by STEVE STANLEY

Mein Resumee: Vorsicht gequirlter  Plüsch - nix für "echte" Psych Rocker !!!!!!!!!!

The sole album to be made by the original line-up, Elmer Gantry’s Velvet Opera was one of the
most original and consistently entertaining albums to emerge from the British psychedelic scene.
The band also cut a couple of hugely commercial singles – and yet, somehow, the glittering prizes
eluded them (although Elmer did subsequently score a hit as the lead singer on Stretch’s ‘Why Did
You Do It’, while rhythm section Richard Hudson and John Ford would later flourish in the Strawbs
before branching out on their own) .

Jaffa in the late sixties and early seventies had an exciting and exotic sound to offer, where folk musicians
performed live at its taverns seven nights a week. It was far from the mainstream hit- parade of swinging 
Tel-Aviv but close enough geographically to attract listeners from across the Tel-Aviv-Jaffa metropolis. The 
scene got bigger and wilder, as it embraced the Middle Eastern celebration style known as “Hafla”, involving 
heavy drinking, local food and music of course
Standing at the center of old Jaffa and it’s vibrant music scene was the record store and label, Koliphone 
Records. Owned by the Azoulay brothers, Koliphone tirelessly recorded these artists and sold their records to 
the growing masses. At first they released mostly Greek and Turkish music, shortly followed by Yemenite, 
Moroccan and Hebrew records, showcasing the cultural melting pot of this ancient part town.
The biggest and most influential artist of the time was Aris San. A singer and guitar virtuoso, San created the 
Israeli-Greek style and introduced the drums-bass-guitar rock combo to folk audiences. His fans thought they 
were listening to traditional bouzouki melodies, but in fact San’s music was a lot heavier, strongly influenced 
by American surf, verging on the psychedelic San’s huge popularity attracted many other artists to record the
new style he had pioneered. Artists such as Trifonas, Levitros, Nino Nikolaidis and many more began to appear 
on Jaffa’s record stands. Among them was a young girl who sang in Turkish. Her name was Grazia Peretz.
Grazia was a wonder kid in the early seventies. She started singing at the age of nine, performing at Turkish weddings and Mediterranean nightclubs, 
sharing a stage with local legends such as Aris San and Trifonas. Soon enough, she became an in demand act for events up and down the country, 
eventually landing herself a weekly TV spot on the Channel 1 music segment.
For her 16th birthday, her father sent her to record a full length “Hafla” style album at the Koliphone studios. Marko Bachar, who was the label’s in-
house producer, arranger and keyboard player, was in charge of the project. Bachar had just sold his organ and bought a monophonic Moog synthesizer.
The heavy and unique sound of his synth is heard well throughout the album, encouraged by Grazia herself, who wanted to break free from the 
conformities of Greek and Turkish folk music and introduce the early sounds of disco she and her peers were getting into.
When the album finally hit the shops it sold… nothing. Hard funk drums, pounding bass coupled with synth blips and psychedelic Turkish guitars – 
well… it was all a bit too much for the unsuspecting folk audience. Grazia never made another album for Koliphone.
At the age of 18, disheartened by the music industry and the undue touring environment she had to endure at such an early age, she stopped singing 
and never returned to the studio or the stage.
All she left us was this amazing gem, which became one of the most sought after Israeli records of all time.